I'm Cathy Leamy, an East Coast cartoonist. Check out my comics! They're mainly about autobiographical stories and health care.
April 20-21: Boston Comic Con
I've never been to Tokyo. Maybe because Rick Steves hasn't covered it. I have such travel-lust for that place, though. All those lights and non-stop activity and huge swells of people - I must be there! It's been edging up my travel to-do list, and it's right up there on my "Places I have to visit before Nature wipes them out" list (created after never making the time to visit pre-Katrina New Orleans).
But meanwhile, until I cough up the cash and time, I travel vicariously through other people's Japan experiences.
A whole slew of wacky Engrish examples courtesy of Magical Rockstar D, Magical Cartographer C, and assorted friends.
A bit of odd Invisibles synchronicity ... or a lift ... or nothing related at all.
Cover of The Invisibles, volume 2, issue 6:
Advertisement from the back of The Books of Magic, just over a year later:
Or I could do the usual and just blame it on aliens.
Who likes zines? Here are reviews and recommendations for a few zines I picked up at this year's Boston Zine Fair.
This small zine by Megan Gendell was a treat to read - sweet and tender, and adventurous and a bit zany at the same time. Part of the zine is devoted to stories of two girlfriends' life in New York. Man, I've never wanted to be in love so much until I read this. The rest of the zine follows Megan's decision to enroll in an instructor training program at a local trapeze school. Wow! I found these stories very engaging - they covered not just the experience of being in the program but also of how Megan balanced it with the rest of her life. My favorite quote: "You can fire me if you want, but I'm going to take trapeze lessons two mornings a week."
You can purchase this zine on Megan's website, Something's Begun.
Y'all Don't Do That Here?
She comes to Boston from Texas, and in this zine she writes about her moving experience and about some of the cultural differences. I've only ever been to Texas the one time, so I enjoyed the hell out of this little zine about a part of the country I really don't know. I learned about homecoming mums, Big Red soda, and the origin of Six Flags' name. Sweet!
This zine is put out by Your Mom Prints Zines.
Erin runs Driving Blind Distro and also creates this personal zine of the same name, where she writes about her likes and dislikes, her obsessions, school (yeah school!), movies, and being a disability activist. It's great reading, alternating between deep and insightful and just plain fun and pop.
You can purchase Driving Blind on the Driving Blind Distro site.
In other news ...
Vacation's a-coming. Anyone wanting a postcard from Switzerland, drop me a line.
I finished reading Phoenix: Endsong
and now I would like to start a fundraiser
to buy a shiny new magazine for this guy's lightbox
one with more than one woman in it
and a little bit less pornface this time.
Dave asks, What's distracting Patricia?
Sexy young JFK would distract anyone!
It's three episodes in, and as much as I would really like to enjoy the new superpower-focused series Heroes, there are just too many little nagging details that all add up to me feeling unsatisfied.
Things I enjoy about Heroes
Hiro the Japanese teleporter. He takes joy in his new powers and does things proactively. Go Hiro! I cheer whenever he's on-screen - he's a fun guy to spend time with. Plus I like the typographic layout of the subtitles.
The cop who can read minds has had only a small amount of screentime, but he's got potential.
Things I don't enjoy about Heroes
Most of the action centers around New York City, yet again, like so many other urban shows out there. Are writers really that strapped for cities?
Most of the main characters are white, practically all are thin, none appear to have any kind of non-power-related disabilities (except the baddie, who wears glasses), and all but two are American. I'm not looking for token wheelchairs or Chris Claremont-style internationalism, but it would be nice to see a little more diversity in character types and backgrounds. Maybe more characters along these lines will be introduced down the road, but the first few episodes are the memorable ones that set the tone of the show and establish the primary cast.
Elements that seem way too familiar. Genetic evolution as a theme (X-Men), a superstrong cheerleader (Buffy), an apocalyptic destiny that needs averting (The Dead Zone series off the top of my head, but I know I've seen it elsewhere), predictable powers (flight, invulnerability, and mindreading - No, seriously? Wow, I never would have guessed those), predictable tension elements (a serial killer, a wall of crazy, indecipherable computer files), and predictable character types (the stripper with a heart of gold [OK, when she's not getting all Mr. Hyde], the drugged-up creative artist, the politician who'll do anything for poll points).
It's been only three episodes and already the two lead powered female characters have been sexually assaulted or coerced. Where's my Bingo card?
Too much gore for my taste.
What I would much rather see watching Heroes
This is just my personal interests talking, and I'm sure people out there would find this dull, but I'd like to see Six Feet Under-style storytelling but with superpowers. Forcing some heroic destiny on characters is so Dungeons and Dragons. Recent cable series show that you can tell interesting stories just following people's crazy lives. Why do we need to fall back on the predictable setup of "I have powers, now I must fight crime/save old ladies/stop the supervillains"? Instead of Heroes, I'd rather see Slightly Extraordinary People. Forget fighting the apocalypse - I want to see how they handle their powers in day-to-day life. That's a show I'd watch, though I suspect I might be the only one watching it.
I've watched just about all of this season of Project Runway, which has its season finale this evening. It totally sucked me in with two of my favorite hooks: drama and makin' stuff.
Something else that interests me, though, is the end-of-episode critiques of the designers' work. They flash me back to the critiques from the graphic design program I finished a couple of years back, and they bring up advice that PR designers could stand to hear (and not just them - any creative professional and anyone presenting their work before others).
Avoid the words "I tried" and "I wanted"
When I hear the words "I tried", I expect "but ..." to follow. People who have achieved their goals sound more confident about their work. They use words that give the impression of "I did it" rather than "I gave it a shot." When it comes to final products, people want results, not good intentions.
The same applies to "I wanted to ...". My first reaction is "If you'd actually achieved your goal, you'd just say what you did, not what you were intending to do." Instead of saying "I wanted this dress to look elegant", just state it! "This dress looks elegant," period. This is especially helpful if your final product doesn't exactly reflect your first ideas. Don't set your listeners up for disappointment by pointing out how far you drifted from your goals.
That said, it's fine to say what your goals were and how you achieved them. You just want to avoid sounding wishy-washy. Be strong! Bring attention to what you've done, not what you haven't done.
Remember, in the words of the master, "Do or do not. There is no try."
Avoid using the rules as an excuse
Let's not hear any of this "My design has so much fabric in it because you told us we had to use it all up" or "My dress looks like this because you gave us only two days." That comes off as "I can't work within project limitations." Be honest if your final product has problems or if you haven't met your objectives, but don't try to fob them off as the client's fault for coming up with those requirements.
And if you did meet or surpass the requirements, especially in an innovative way, crow it up! Talk about them like challenges you enjoyed rather than obstacles you reluctantly faced. As a client, which would you rather hear: "I had to build the house like this because of the environmental laws you said we had to obey", or "Here's the house! I was attentive to the environmental laws and addressed them in the following ways: X, Y, and Z"?
Be cheerful and professional no matter how you feel about your work
We're not mindreaders. When we present our work, we have no idea what the judges or clients are thinking. Maybe we're thinking, Oh God, my work is freeze-dried poo topped with a poo garnish, but the judges might not be thinking the same thing. They might not even notice the flaws. You're trying to sell your work to them (literally or figuratively), so why poison your chances by talking it down? Also, when you get deeply involved in a project, it can be hard to appreciate its good aspects. You tend to zone in on the problem areas. Other people can have different perspectives and see merits that you may have missed. Give them a chance to enjoy it.
Talking positively about your work is also just flat-out professional. You wouldn't go through the trouble of making a gourmet meal and delivering it on exquisite china only to comment, "Yeah, I hope you like it 'cause I think it kinda sucks, especially the asparagus." That casts a shadow over this meal and any future meals. Who wants to come back and do business again with the gloomy chef?
Be mindful of presentation
Presentation is an important aspect of showing your work. You wouldn't serve that gourmet meal on paper plates. You wouldn't show up for a job interview in sneakers and sweatpants. Keep in mind all the aspects of how others will be viewing your work. On Project Runway, presentation includes accessories, hair, and makeup. In the rest of the world, presentation might be bringing color copies of your design to the meeting instead of boring black-and-white, or neatly wrapping a birthday gift instead of handing it over in the plastic bag from the store.
The very experience of enjoying your work can push people just over that edge and onto your side. Think of the small negative aspects that stick in your head, and think of how you can work to prevent them in your own projects. "I loved the book but damn, that was the nastiest cover art," or "The apartment was beautiful but the realtor looked like she just crawled through a hedge."
And to all you haters out there replying "I have better things to do than worry about how the clients think I'm dressed" or "My l33t programming skills should speak for themselves" - it's a valid feeling, but why would you voluntarily undercut yourselves like that? The world is a competitive place. Why not take advantage of every little thing that could give you an edge and memorability over your rivals? Why not give the impression that you pay attention to every little detail possible?
The Forgotten English page-a-day calendar sitting on my desk at work is great fun for learning amusing little obsolete terms like "whiddiful" and "welkin", but every now and then it coughs up something that makes me hide the calendar in my desk drawer for the day.
Quit trying to get me fired, Forgotten English calendar!
Another Monday night, another Heroes Harrassment Hour! Honestly, I can't believe I'm still watching this show. I'm an utter victim of Intermittent Variable Reinforcement - I yell at the screen for most of the show ("Shut your babbling! Don't go in there, fool! What the hell is this nonsense!") but then get drawn back in by the occasional really interesting scene ("Oh hey now, that was a neat way of stopping time"). And anyway, it makes a decent backdrop for folding laundry.
Emo Nurse Man needs some new dialogue besides "blah destiny blah connected blah must save the whatever blah". Seriously, it's like he's got his own chatterbot thing going on. "Peter, what happened on the subway?" "WE NEED TO SAVE THE CHEERLEADER." "Peter, where'd I leave my scarf?" "WE ARE ALL CONNECTED SOMEHOW."
I like how "painting" is a superpower. I should've used that illustration class to learn to fight crime! And am I going to Geek Hell because my first reaction to Peter's blue-tinted futurevision eyes was to yell "He is the Kwisatz Haderach"? I'll save you all a seat when I get there.
Let me get this straight - not only is Claire sexually assaulted, she doesn't even get to be the final tool of her own orchestrated revenge; her evil father gets that honor instead? Okay! I think some writers need to read Ragnell's thoughts on women and power for a little refresher on why this is really irritating. Man, the chicks on this show, I swear - they just get manipulated left and right while the guys are all off proactively chasing destinies. That is, when the women aren't just being some guy's love interest or the Girl Friday research assistant.
I'm really tempted to draw up a Cliché Bingo sheet for this show. Someone with superpowers foiling a convenience store robbery? Oh my, whatever will they think of next. I think of this show as "superhero comics for people who have never read comic books or watched any superhero movie or television series."
If they just changed the show to "NBC's hour of Adrian Pasdar flying around with no shirt on and hanging out with the Japanese guy," I would be a much happier kitty.
All this talk of Heroes and Cliché Bingo brings up something I've had bubbling in the back of my head for a while. In general, I'd like to be more positive and proactive, critiquing constructively instead of just hurking up gripes and snark. If what we're seeing is crusty overused cliché, what could storytellers substitute to make it more fresh and interesting?
So, Cliché Clinic! I'd like to tackle the "my superpowers in action" scene. You know the one - the stressful situation where Our Heroes put things on the line and save others (or even themselves), maybe by using their powers for the first clumsy time, or maybe by admitting Spider-Man 2-style that they can't deny their own heroism. It often ends up something like this:
When I wrote this list off the top of my head, I didn't intend for most of it to mirror how Heroes has been unfolding, but it turned out that way. If you count their online comics, they've even done "save people from a fire" twice. That's a clichébag and a half.
So what are some alternatives? What different stressful situations could be applied and not feel overused? Help me build this toolbox! Please add your own ideas in the comments section below if you'd like to join in.
Possible non-cliché situations :
I finally finished wading my way through another Marvel brick, Essential Tomb of Dracula, volume 1.
I learned that the Dracula comic is all about two things: macking and smacking.
Today's highlights: SMACKING!
I guess it's expected. Dracula is horror, not superhero fiction, so instead of some dude in tights blasting plasma rays from his hands, you just get old-fashioned backhanding.
Stay tuned for tomorrow's highlights: MACKING!
What does that leave? That's right, MACKING.
These vampire hunters and vampire victims are lovers, not fighters, baby!
Damn right they're not fighters. You should see how often they fail at taking down easy enemies, or how many times they fall for "Hey, come on into this dark alley for a second."
Except for Blade, that is. Him and his battlin' jodhpurs.
After reading the blog discussion about DC's new girl-oriented imprint Minx, I still have just one thought jumping out.
I wish it were all about this minx.
If some kindly publisher ever turned out Essential collections for characters from The Beano, I would be short a lot of cash the following day. I suspect that reading that comic throughout my whole childhood was a major factor for how I turned out today. Hell, I know it's what got me into drawing comics.
Highlander writes about the demographic makeup of Heroes. I agree and hope that the character stats improve a bit after this current winter episode break.
Fametracker offers a bizarre battle: Adrian Pasdar vs. Kyle Maclachlan! (Sadly, the accompanying images are broken. Booo.)
Piratesdaughter sums up the Petrellis for you, and we are all very grateful. (Warning: Ten million images)
The most recent episode featured a prophetic painting about Hiro and his future sword taking on a T-rex. One theory says that the sword's a museum piece and the T-rex is a model, and the naysayers fire back with "Pssh, museum T-rexes are usually bare bony skeletons." Well, you know who's got a T-rex with its skin on? That's right, Boston! (Quicktime proof) C'mon, Heroes - field trip!
I'm still thinking about DC's upcoming Minx line and the reaction to the gender makeup of its creative teams (i.e., not many women for an imprint aimed at young girls).
From a business sense, there's nothing wrong about this. DC isn't building some FUBU girlpower collective. Their goal is to get girls to buy DC comics, full stop.
Good creators can build stories about people who aren't like them. Men can write about women (Whiteout), women can write about men (Finder), $apples can write about $oranges, and so on. And DC has hired some great creators for this venture.
At the same time, I wonder about Minx's potential lack of paper mirror moments, especially for an audience who really needs them. Sometimes only the people who've been there can really capture the mood and, maybe even more importantly, the details. Hacker movies sporting fakey Hollywood OS, on-location tales with incorrect or mishmashed backgrounds - the devil's in the details, and when the details are wrong, my conviction in the story falters and sometimes I even feel disrespected. "Hey, I'm glad that me and my kind are such great story fodder for you guys - now could you take five minutes to actually talk to one of us and get some facts about what we're really like?"
To all the readers who hit my site searching for "adrian pasdar shirtless", "adrian pasdar hot", "adrian pasdar no shirt", and "adrian pasdar shirt off":
Stop what you're doing right now and go get yourself the Profit DVD boxed set.
Not only does does it have Adrian Pasdar being egregiously evil (blackmail, murder, affair with own stepmom, etc.), the plot requires plenty of shots of him with no clothes in his apartment's secret Profit-cave, tooling around on the computer and sleeping in a cardboard box.
PS. Brace yourselves for mid-1990's fake 3-D computer interfaces. Ah God, my eyes!
I'm heading out for the holidays. Comments are temporarily disabled until I get back. Have a delightful holiday, everyone, and catch you all in the new year! Huggles for all!
Back from vacation, and I should have some photos soon to show for it. Once again, thumbs up for Christmas in England. It's dark and cold and gloomy, but I love the hell out of it.
Comments on this website have been reactivated. Yeah chatter! Also, hello to everyone who has visited this site to read "The Paper Mirror". It was a topic that was slow-boiling in my mind for a while, and it sounds like it's touched a chord in other readers as well.
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